{"id":18500,"date":"2020-11-24T23:40:00","date_gmt":"2020-11-24T23:40:00","guid":{"rendered":"https:\/\/americanorchestras.org\/?p=18500"},"modified":"2021-03-05T22:35:24","modified_gmt":"2021-03-05T22:35:24","slug":"shifting-from-stage-to-screen-2","status":"publish","type":"post","link":"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/","title":{"rendered":"Shifting from Stage to Screen"},"content":{"rendered":"\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background has-coral-background-color\" href=\"https:\/\/americanorchestras-fontevacustomer.force.com\/s\/lt-event?id=a2c5a000002QMFSAA4\" target=\"_blank\" rel=\"noreferrer noopener\">Register<\/a><\/div>\n<\/div>\n\n\n\n<p>How and why are orchestras moving musical content to digital platforms\u2014and creating entirely new experiences for virtual audiences? Is this a short-term response or the future of our field? How can we create compelling content to compete with endless options for online entertainment just a click away? How do we keep focused on our mission, our audiences, and our quests for greater equity and accessibility when our primary means of contact are electronic?<\/p>\n\n\n\n<p>In this 90-minute webinar from the League of American Orchestras, we\u2019ll investigate the many aspects of navigating this new, unfamiliar and exciting ecosystem: strategic, creative, repertoire, technical, legal, marketing, patron experience, and our organizational cultures, among other considerations.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Moderator<\/strong><\/h4>\n\n\n\n<p>Scott Harrison, Interim Executive Director\/Sr. Strategic Facilitator, Louisiana Philharmonic Orchestra<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Panelists<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>James Darrah, Creative Director of Digital Content, Los Angeles Chamber Orchestra (LACO)<\/li><li>Timothy Kastner, Director of Digital Media and Video Production, The Philadelphia Orchestra<\/li><li>Garrett McQueen, Executive Director, TRILLOQUY<\/li><li>Mike Mancillas, Assistant Director of Digital Strategy + Design, Los Angeles Chamber Orchestra (LACO)<\/li><li>Carolyn Nishon, Executive Director, Portland Symphony Orchestra<\/li><li>Ari Solotoff, Solotoff Law Group, PLLC<\/li><\/ul>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-0\" class=\"c-accordion__title js-accordion-controller\" tabindex=\"0\" role=\"button\" aria-controls=\"ac-0\"><strong>Who Should Attend?<\/strong><\/h2><div id=\"ac-0\" class=\"c-accordion__content\" style=\"display:none\">\n<p>Executive directors, youth orchestra directors, general managers, musicians, artistic staff, marketing staff, operations staff, and anyone seeking to learn more about moving musical content to digital platforms.<\/p>\n\n\n\n<p>Even if you can&#8217;t attend the webinar live, register to receive a recording.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-1\" class=\"c-accordion__title js-accordion-controller\" tabindex=\"0\" role=\"button\" aria-controls=\"ac-1\"><strong>Cost<\/strong><\/h2><div id=\"ac-1\" class=\"c-accordion__content\" style=\"display:none\">\n<ul class=\"wp-block-list\"><li>$20 for Members<\/li><li>$35 for Non-Members<\/li><\/ul>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background has-coral-background-color\" href=\"https:\/\/americanorchestras-fontevacustomer.force.com\/s\/lt-event?id=a2c5a000002QMFSAA4\" target=\"_blank\" rel=\"noreferrer noopener\">Register<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-2\" class=\"c-accordion__title js-accordion-controller\" tabindex=\"0\" role=\"button\" aria-controls=\"ac-2\"><strong>About the Moderator<\/strong><\/h2><div id=\"ac-2\" class=\"c-accordion__content\" style=\"display:none\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/scott-harrisson-706x1024.jpg\" alt=\"\" class=\"wp-image-8993\" width=\"168\" height=\"244\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/scott-harrisson-706x1024.jpg 706w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/scott-harrisson-207x300.jpg 207w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/scott-harrisson-768x1113.jpg 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/scott-harrisson.jpg 776w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Scott Harrison<\/strong><\/p>\n\n\n\n<p><em>Interim Executive Director\/Sr. Strategic Facilitator, Louisiana Philharmonic Orchestra<\/em><\/p>\n\n\n\n<p><br>Celebrated as a leader with \u201cimagination and ambition\u201d by the&nbsp;<em>Los Angeles Times&nbsp;<\/em>and \u201ca pioneer in the use of digital technology\u201d by the&nbsp;<em>New Orleans Times-Picayune<\/em>, Scott Harrison has secured tens of millions of dollars in funding for arts organizations nationwide while designing initiatives that are changing cultural practice and audience engagement via program impact, accessibility and inclusivity, creativity and learning, and innovation and entrepreneurship.<\/p>\n\n\n\n<p>Scott recently started working with the Louisiana Philharmonic Orchestra as interim executive director and senior strategic facilitator, launching a reimagined season of virtual and socially-distanced activity with the all-digital Orpheum Sessions as its flagship offering. He has served in leadership roles at Los Angeles Chamber Orchestra, the Hawai&#8217;i Symphony Orchestra, and Detroit Symphony Orchestra, where he developed&nbsp;<em>Live from Orchestra Hall<\/em>, a global platform for virtual concert activity with over one million viewers worldwide.<\/p>\n\n\n\n<p>Scott is a founding board member of BLUME Haiti, which supports youth and community development by strengthening Haiti\u2019s music education ecosystem. He is a graduate of Northwestern University, SMU\u2019s Meadows School of the Arts, and executive education programs including National Arts Strategies\u2019 Chief Executive Program and Harvard Business School\u2019s Strategic Perspectives in Nonprofit Management.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-3\" class=\"c-accordion__title js-accordion-controller\" tabindex=\"0\" role=\"button\" aria-controls=\"ac-3\"><strong>About the Panelists<\/strong><\/h2><div id=\"ac-3\" class=\"c-accordion__content\" style=\"display:none\">\n<p><\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Questions?<\/strong><\/h4>\n\n\n\n<p>Please contact Member Services at&nbsp;<strong><a href=\"mailto:member@americanorchestras.org\">member@americanorchestras.org<\/a><\/strong>.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><em><em><em>This webinar was made possible by generous grants from <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americanexpress.com\/\" target=\"_blank\">American Express<\/a><\/strong>, the Baisley Powell Elebash Fund, <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.fordfund.org\/\" target=\"_blank\">Ford Motor Company Fund<\/a><\/strong>, the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/howardgilmanfoundation.org\/\" target=\"_blank\">Howard Gilman Foundation<\/a><\/strong>, the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.arts.gov\/\" target=\"_blank\">National Endowment for the Arts<\/a><\/strong>, and <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.wallacefoundation.org\/pages\/default.aspx\" target=\"_blank\">The Wallace Foundation<\/a><\/strong>, as well as supported, in part, by public funds from the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www1.nyc.gov\/site\/dcla\/index.page\" target=\"_blank\">New York City Department of Cultural Affairs<\/a><\/strong> in partnership with the City Council.<\/em><\/em><\/em><\/p>\n\n\n\n<div class=\"wp-block-group has-blue-light-background-color has-gray-dark-color has-text-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.americanexpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1024x1021.png\" alt=\"\" class=\"wp-image-19281\" width=\"161\" height=\"160\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1024x1021.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-300x300.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-150x150.png 150w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-768x766.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1536x1532.png 1536w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-2048x2043.png 2048w\" sizes=\"auto, (max-width: 161px) 100vw, 161px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/www.fordfund.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1.png\" alt=\"Ford Motor Company Fund\" class=\"wp-image-18880\" width=\"282\" height=\"82\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1.png 695w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1-300x88.png 300w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/howardgilmanfoundation.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"238\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HowardGilman-1024x238.png\" alt=\"\" class=\"wp-image-19224\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HowardGilman-1024x238.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HowardGilman-300x70.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HowardGilman-768x178.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HowardGilman.png 1107w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.arts.gov\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-1024x512.png\" alt=\"\" class=\"wp-image-19190\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-1024x512.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-300x150.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-768x384.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.wallacefoundation.org\/pages\/default.aspx\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"73\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/01\/logo-1.png\" alt=\"The Wallace Foundation\" class=\"wp-image-15511\"\/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www1.nyc.gov\/site\/dcla\/index.page\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/dclaLogo_color_2-1.png\" alt=\"NYC Cultural Affairs\" class=\"wp-image-19225\" width=\"203\" height=\"37\"\/><\/a><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><em>Photos courtesy of the speakers. Photo of&nbsp;Garrett McQueen by Devon Fails, photo of Carolyn Nishon by Tim Greenway Photographer, photo of Ari Solotoff by Zack Bowen.<\/em><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>How and why are orchestras moving musical content to digital platforms\u2014and creating entirely new experiences for virtual audiences? Is this a short-term response or the future of our field? How can we create compelling content to compete with endless options for online entertainment just a click away? How do we keep focused on our mission, our audiences, and our quests for greater equity and accessibility when our primary means of contact are electronic?<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":23,"featured_media":21601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[133],"tags":[],"class_list":["post-18500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn","format-on-demand-webinar","learning-type-events-webinars","topic-covid-19","topic-marketing-communications","topic-music-distribution-licensing","topic-operations"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Shifting from Stage to Screen - americanorchestras.org<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shifting from Stage to Screen - americanorchestras.org\" \/>\n<meta property=\"og:description\" content=\"How and why are orchestras moving musical content to digital platforms\u2014and creating entirely new experiences for virtual audiences? Is this a short-term response or the future of our field? How can we create compelling content to compete with endless options for online entertainment just a click away? How do we keep focused on our mission, our audiences, and our quests for greater equity and accessibility when our primary means of contact are electronic?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\" \/>\n<meta property=\"og:site_name\" content=\"americanorchestras.org\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/orchleague\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-24T23:40:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-05T22:35:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/Composite-of-7-for-11-18-webinar-white-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1848\" \/>\n\t<meta property=\"og:image:height\" content=\"952\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ian Dennis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@orchleague\" \/>\n<meta name=\"twitter:site\" content=\"@orchleague\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ian Dennis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\"},\"author\":{\"name\":\"Ian Dennis\",\"@id\":\"https:\/\/americanorchestras.org\/#\/schema\/person\/6f5a41fead673aee12f1fcd464905a37\"},\"headline\":\"Shifting from Stage to Screen\",\"datePublished\":\"2020-11-24T23:40:00+00:00\",\"dateModified\":\"2021-03-05T22:35:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\"},\"wordCount\":552,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/Composite-of-7-for-11-18-webinar-white-1.jpg\",\"articleSection\":[\"Learn\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\",\"url\":\"https:\/\/americanorchestras.org\/shifting-from-stage-to-screen-2\/\",\"name\":\"Shifting from Stage to Screen - 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