{"id":25472,"date":"2021-04-21T17:15:00","date_gmt":"2021-04-21T17:15:00","guid":{"rendered":"https:\/\/americanorchestras.org\/?p=25472"},"modified":"2022-07-28T20:19:03","modified_gmt":"2022-07-28T20:19:03","slug":"climate-emergency-artistic-responses-and-a-call-to-engagement-2","status":"publish","type":"post","link":"https:\/\/americanorchestras.org\/climate-emergency-artistic-responses-and-a-call-to-engagement-2\/","title":{"rendered":"Climate Emergency: Artistic Responses and a Call to Engagement"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Climate Emergency: Artistic Responses and a Call to Engagement\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GDnEXzpIc9U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-coral-background-color has-background\" href=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/4.21.21-Transcript.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Read the Transcript (PDF)<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-coral-background-color has-background\" href=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/Resources-for-Climate-Emergency.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Resource Document (PDF)<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p>Climate change is one of the greatest challenges confronting modern society. How are artists and orchestras responding? How can we \u201cconnect the dots\u201d between classical music and the effects of climate change?<\/p>\n\n\n\n<p>Join us for our last League webinar of the spring, led by artist\/scholar Dr. Tanya Kalmanovitch, to hear from a panel of artists and executives who are charting new roles for orchestras in the climate crisis. Gain the knowledge and resources to enact change in your artistic life, your community, and your orchestra.<\/p>\n\n\n\n<p><strong><strong>Moderator: <\/strong><\/strong>Tanya Kalmanovitch, Associate Professor, The New School and Faculty, New England Conservatory<\/p>\n\n\n\n<p><strong>Panelists:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Matthew Burtner, Composer<\/li><li>Martha Gilmer, Chief Executive Officer, San Diego Symphony<\/li><li>Jimmy Lopez, Composer<\/li><li>Steven Schick, Guest Curator, San Diego Symphony and Distinguished Professor of Music, UC San Diego<\/li><li>Terry Wolkowicz, Education Director, New Bedford Symphony<\/li><\/ul>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-254720\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">About the Moderator<\/h2><div id=\"ac-254720\" class=\"c-accordion__content\">\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-1024x683.jpg\" alt=\"Tanya Kalmanovitch\" class=\"wp-image-24218\" width=\"271\" height=\"180\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-1024x683.jpg 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-300x200.jpg 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-768x512.jpg 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-1536x1024.jpg 1536w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/tanya-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><\/figure>\n\n\n\n<p><strong>Tanya Kalmanovitch<\/strong><br><em>Associate Professor, The New School and Faculty, New England Conservatory<\/em><\/p>\n\n\n\n<p>Tanya Kalmanovitch is a Juilliard-trained violist, ethnomusicologist, and author whose provocative work explores the cultural geography of places around the world and close to home. Her current project, \u201cTar Sands Songbook,\u201d investigates the human stories behind the headlines in her hometown of Fort McMurray, Alberta, Canada, a remote northern town that shot to international attention as the largest, and most destructive, industrial project in human history. Tanya is on the faculty at the New England Conservatory in Boston and is an Associate Professor at the College of Performing Arts at The New School in New York City.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h2 id=\"at-254721\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">About the Panelists<\/h2><div id=\"ac-254721\" class=\"c-accordion__content\">\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-1024x769.jpg\" alt=\"Matthew Burtner\" class=\"wp-image-24219\" width=\"272\" height=\"203\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-1024x769.jpg 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-300x225.jpg 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-768x577.jpg 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-1536x1154.jpg 1536w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-2048x1539.jpg 2048w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/matthew-burtner-photo-380x285.jpg 380w\" sizes=\"auto, (max-width: 272px) 100vw, 272px\" \/><\/figure>\n\n\n\n<p><strong>Matthew Burtner<\/strong><br><em>Composer<\/em><\/p>\n\n\n\n<p>Matthew Burtner is an Alaskan-born composer and sound artist whose work explores embodiment, ecology, polytemporality, and noise. His climate-change music has been featured in concerts around the world and by NASA, PBS NewsHour, the American Geophysical Union (AGU), the BBC, the U.S. State Department under President Obama, and National Geographic. He published three evening-length intermedia climate change works including the IDEA Award-winning telematic opera, Auksalaq. In 2020 he received an Emmy Award for \u201cComposing Music with Snow and Glaciers,\u201d a feature on his Glacier Music by Alaska Public Media. His music has also received honors and awards from the Bourges (France), Gaudeamus (Netherlands), Darmstadt (Germany), and The Russolo (Italy) international competitions. He is Eleanor Shea Professor of Music at the University of Virginia where he co-directs the Coastal Future Conservatory. He also is Founder and Director of the environmental music nonprofit organization EcoSono.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/MarthaGilmer2016-02Thumb_Lauren-Radack.jpg\" alt=\"Martha Gilmer\" class=\"wp-image-24220\" width=\"279\" height=\"185\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/MarthaGilmer2016-02Thumb_Lauren-Radack.jpg 864w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/MarthaGilmer2016-02Thumb_Lauren-Radack-300x200.jpg 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/MarthaGilmer2016-02Thumb_Lauren-Radack-768x512.jpg 768w\" sizes=\"auto, (max-width: 279px) 100vw, 279px\" \/><\/figure>\n\n\n\n<p><strong>Martha Gilmer<\/strong><br><em>Chief Executive Officer, San Diego Symphony<\/em><\/p>\n\n\n\n<p>Since joining the San Diego Symphony in 2014, Martha Gilmer has initiated an annual city-wide January arts festival, engaged leading guest artists for their San Diego premieres, commissioned new works, and presented several West Coast premieres. Additionally, Martha\u2019s leadership has led to a successful rebrand of the summer series Bayside Summer Nights, the inauguration of the Jazz @ the Jacobs series, the creation of a strategic plan for the organization, and approval by the Port of San Diego for the development of a permanent, highly innovative outdoor space called The Shell. In 2018, Martha appointed the organization\u2019s thirteenth music director, internationally acclaimed Rafael Payare, and in 2019, San Diego Symphony announced its first principal guest conductor, Edo de Waart. A graduate of Northwestern University School of Music, Martha has been active as an alumna, and was awarded the Northwestern University School of Music Alumni Merit Award.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-684x1024.jpg\" alt=\"Jimmy Lopez\" class=\"wp-image-24221\" width=\"219\" height=\"328\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-684x1024.jpg 684w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-200x300.jpg 200w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-768x1151.jpg 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-1025x1536.jpg 1025w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-1367x2048.jpg 1367w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/03_Jimmy-Lopez-Bellido_Photo-by-Franciel-Braga-scaled.jpg 1709w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><figcaption><em>Photo Credit: Franciel Braga<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Jimmy Lopez<\/strong><br><em>Composer<\/em><\/p>\n\n\n\n<p>An \u201cundeniably exciting composer\u201d (<em>Opera News<\/em>), with \u201ca brilliant command of orchestral timbres and textures\u201d (<em>Dallas Morning News<\/em>) and \u201ca virtuoso mastery of the modern orchestra\u201d (<em>The New Yorker<\/em>), Jimmy Lopez has created works performed by leading orchestras around the world and in prestigious venues such as Carnegie Hall, Sydney Opera House, Gewandhaus Lepzig, Kennedy Center, Vienna\u2019s Musikverein, Konzerthaus Berlin and for Nordic Music Days, the 2010 Youth Olympic Games in Singapore, and the Aspen, Tanglewood, and Grant Park music festivals. \u201cFiesta!\u201d one of his most famous works, has received 100 performances worldwide. \u201cBel Canto,\u201d based on Ann Patchett\u2019s bestselling novel, premiered to wide critical acclaim and was broadcast on PBS\u2019 <em>Great Performances<\/em>. \u201cDreamers\u201d was recently premiered by Ana Mar\u00eda Mart\u00ednez, Esa-Pekka Salonen, and the Philharmonia Orchestra of London. <em>Symphonic Canvas<\/em>, a new album with Miguel Harth-Bedoya and the Fort Worth Symphony Orchestra, was released in August of 2019. Jimmy completed his three-year tenure as Composer-in-Residence at the Houston Symphony in the spring of 2020. A native of Lima, he studied at the city\u2019s National Conservatory of Music prior to graduating from the Sibelius Academy in Helsinki with a Master of Music degree. Jimmy completed his Ph.D. in Music at the University of California-Berkeley.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-1024x683.png\" alt=\"Steven Schick\" class=\"wp-image-24222\" width=\"284\" height=\"189\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-1024x683.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-300x200.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-768x512.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-1536x1024.png 1536w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/steve1-2048x1365.png 2048w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/figure>\n\n\n\n<p><strong>Steven Schick<\/strong><br><em>Guest Curator, San Diego Symphony and Distinguished Professor of Music, UC San Diego<\/em><\/p>\n\n\n\n<p>Percussionist, conductor, and author Steven Schick was born in Iowa and raised in a farming family. Hailed by Alex Ross in the <em>New Yorker<\/em> as, \u201cone of our supreme living virtuosos, not just of percussion but of any instrument,\u201d he has championed contemporary percussion music by commissioning or premiering more than 150 new works. The most important of these have become core repertory for solo percussion. Steven was inducted into the Percussive Arts Society Hall of Fame in 2014. He is Artistic Director of the La Jolla Symphony and Chorus and the San Francisco Contemporary Music Players. As a conductor, he has appeared with the BBC Scottish Symphony Orchestra, the Saint Paul Chamber Orchestra, the Milwaukee Symphony, Ensemble Modern, the International Contemporary Ensemble, and the Asko\/Sch\u00f6nberg Ensemble. Steven is Distinguished Professor of Music and holds the Reed Family Presidential Chair at the University of California, San Diego. He was Music Director of the 2015 Ojai Festival, and since 2017, has been Co-Artistic Director, with Claire Chase, of the Summer Music Program at the Banff Centre.<\/p>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/terry.jpg\" alt=\"Terry Wolkowicz\" class=\"wp-image-24223\" width=\"243\" height=\"278\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/terry.jpg 330w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/04\/terry-263x300.jpg 263w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/><\/figure>\n\n\n\n<p><strong>Terry Wolkowicz<\/strong><br><em>Education Director, New Bedford Symphony Orchestra<\/em><\/p>\n\n\n\n<p>Education director Terry Wolkowicz\u2019s innovative and creative approach to designing music education curriculum has made the NBSO a leader in educational programming. In 2016, her \u201cGravity in Space and Sound\u201d curriculum for the Learning in Concert program received the Excellence in Education Award from the Goldin Foundation. In 2018, \u201cThe Orchestra as Ecosystem\u201d curriculum received the Massachusetts Secretary\u2019s Award for Excellence in Energy and Environmental Education.<\/p>\n\n\n\n<p>Terry received her bachelor\u2019s degree in music education from the New England Conservatory of Music and a master\u2019s degree in education from Harvard University. She has presented at numerous national conferences on concept-based arts integration including the 2017 National Science Teachers Association, the 2013 and 2017 League of American Orchestra\u2019s Conference, the 2016 Association of Zoos and Aquariums National Conference, the 2016 Massachusetts Music Educators Association Conference, and other local and state STEM (Science, Technology, Engineering and Math) conferences. She has written articles about the Learning in Concert model and concept-based arts integration in the <em>Music Educators Journal<\/em>, the AZA\u2019s <em>Connect Magazine<\/em>, Eastman School of Music Paul R. Judy Center for Applied Research, and <em>Musicovation<\/em>. She currently serves on the League of American Orchestras\u2019 Education and Community Engagement Leadership Committee.<\/p>\n<\/div><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Questions?<\/h4>\n\n\n\n<p>Please contact Member Services at&nbsp;<a href=\"mailto:member@americanorchestras.org\">member@americanorchestras.org<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><em><em>This webinar is made possible by <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.americanexpress.com\/\" target=\"_blank\">American Express<\/a><\/strong>, the Baisley Powell Elebash Fund, <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.fordfund.org\/\" target=\"_blank\">Ford Motor Company Fund<\/a><\/strong>, the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/howardgilmanfoundation.org\/\" target=\"_blank\">Howard Gilman Foundation<\/a><\/strong>, the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.arts.gov\/\" target=\"_blank\">National Endowment for the Arts<\/a><\/strong>, and <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.wallacefoundation.org\/pages\/default.aspx\" target=\"_blank\">The Wallace Foundation<\/a><\/strong>, as well as, in part, by public funds from the <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www1.nyc.gov\/site\/dcla\/index.page\" target=\"_blank\">New York City Department of Cultural Affairs<\/a><\/strong> in partnership with the City Council.<\/em><\/em><\/p>\n\n\n\n<div class=\"wp-block-group has-gray-dark-color has-blue-light-background-color has-text-color has-background is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><a href=\"https:\/\/www.americanexpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1024x1021.png\" alt=\"\" class=\"wp-image-19281\" width=\"170\" height=\"169\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1024x1021.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-300x300.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-150x150.png 150w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-768x766.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-1536x1532.png 1536w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/06\/AXP_BlueBoxLogo_EXTRALARGEscale_PMS285Coated_PE-2-2048x2043.png 2048w\" sizes=\"auto, (max-width: 170px) 100vw, 170px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><a href=\"https:\/\/www.fordfund.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1.png\" alt=\"Ford Motor Company Fund\" class=\"wp-image-18880\" width=\"304\" height=\"89\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1.png 695w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/FMC_Fund_Blue_RGB_v1-300x88.png 300w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/howardgilmanfoundation.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"87\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HGF-Logo2.png\" alt=\"\" class=\"wp-image-17926\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HGF-Logo2.png 391w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HGF-Logo2-300x67.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/HGF-Logo2-385x87.png 385w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/www.arts.gov\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"512\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-1024x512.png\" alt=\"\" class=\"wp-image-19190\" srcset=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-1024x512.png 1024w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-300x150.png 300w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2-768x384.png 768w, https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/2018-Horizontal-Logo-with-url2-2.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.wallacefoundation.org\/pages\/default.aspx\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"221\" height=\"73\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/01\/logo-1.png\" alt=\"The Wallace Foundation\" class=\"wp-image-15511\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large\"><a href=\"https:\/\/www1.nyc.gov\/site\/dcla\/index.page\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"203\" height=\"37\" src=\"https:\/\/americanorchestras.org\/wp-content\/uploads\/2021\/02\/dclaLogo_color_2-1.png\" alt=\"NYC Cultural Affairs\" class=\"wp-image-19225\"\/><\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Climate change is one of the greatest challenges confronting modern society. How are artists and orchestras responding? How can we \u201cconnect the dots\u201d between classical music and the impacts of climate change?<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":23,"featured_media":24261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[133],"tags":[],"class_list":["post-25472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-learn","format-on-demand-webinar","learning-type-events-webinars","topic-climate-change","topic-operations"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Climate Emergency: Artistic Responses and a Call to Engagement - americanorchestras.org<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/americanorchestras.org\/climate-emergency-artistic-responses-and-a-call-to-engagement-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Climate Emergency: Artistic Responses and a Call to Engagement - americanorchestras.org\" \/>\n<meta property=\"og:description\" content=\"Climate change is one of the greatest challenges confronting modern society. How are artists and orchestras responding? 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