{"version":"1.0","provider_name":"americanorchestras.org","provider_url":"https:\/\/americanorchestras.org","author_name":"Ian Dennis","author_url":"https:\/\/americanorchestras.org\/author\/ian-dennis\/","title":"Forty Years of Fellowships: A Study of Orchestras' Efforts to Include African American and Latino Musicians - americanorchestras.org","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"O2ayVEWnbc\"><a href=\"https:\/\/americanorchestras.org\/forty-years-of-fellowships-a-study-of-orchestras-efforts-to-include-african-american-and-latino-musicians\/\">Forty Years of Fellowships: A Study of Orchestras&#8217; Efforts to Include African American and Latino Musicians<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/americanorchestras.org\/forty-years-of-fellowships-a-study-of-orchestras-efforts-to-include-african-american-and-latino-musicians\/embed\/#?secret=O2ayVEWnbc\" width=\"600\" height=\"338\" title=\"&#8220;Forty Years of Fellowships: A Study of Orchestras&#8217; Efforts to Include African American and Latino Musicians&#8221; &#8212; americanorchestras.org\" data-secret=\"O2ayVEWnbc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/americanorchestras.org\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Forty Years of Fellowships: A Study of Orchestras' Efforts to Include African American and Latino Musicians, commissioned by the League with research and analysis by Nick Rabkin and Monica Hairston O'Connell, is an in-depth examination of orchestras' past efforts to diversify their musician ranks with fellowships for African American and Latino musicians. The report presents program and impact data about diversity fellowships from 1976 to the present day, and explores the perspectives of fellowship program alumni.","thumbnail_url":"https:\/\/americanorchestras.org\/wp-content\/uploads\/2020\/11\/40-Years-of-Fellowships.png"}